Story ARC · Short film · 2020

One Sweet Night

Detroit · September 9, 1925

Dr. Ossian Sweet and his wife Gladys are spending their second night in a new home on an all-white street. Trapped inside by a violent mob, the family fractures over how to survive a night of racial terror, igniting one of the first fights against housing segregation in America.

IMDb 8.2
20 min
10 festival selections
Starring J.D. Williams
Dr. Ossian Sweet standing in the doorway of his home, lit by a single lamp.
The view from the street · 2905 Garland Ave

Eleven people were inside that house. Hundreds were outside it. When the shooting stopped, every one of the eleven was charged with murder, and Clarence Darrow came to Detroit to defend them.

Based on true events

Official trailer

Two minutes on Garland Street.

Gladys Sweet in lamplight, from the One Sweet Night trailer.

Directed by Daniel F. Pfeffer · Written & executive produced by Andrew R. Colom

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The true story

What happened on Garland Street.

  1. Summer 1925

    Ossian Sweet, born in Bartow, Florida, trained at Howard and practicing medicine in Detroit's Black Bottom, buys the brick bungalow at 2905 Garland for $18,500.

  2. September 8, 1925

    Sweet, Gladys, and their one-year-old daughter Iva move in. Family and friends stay the night with them. A crowd is already on the corner.

  3. September 9, 1925

    Hundreds of white residents fill the street and the schoolyard across from the house. Stones come through the windows. Police stand by.

  4. That night

    Shots are fired from an upstairs window. Leon Breiner, standing across the street, is killed. A second man is wounded.

  5. Hours later

    All eleven people inside the house are arrested and charged with first-degree murder, including Gladys.

  6. November 1925

    The NAACP hires Clarence Darrow. Judge Frank Murphy presides. The first trial ends in a hung jury.

  7. May 1926

    An all-white jury acquits Henry Sweet. The charges against everyone else are dropped. The case becomes a landmark in the fight against housing segregation.

"It was terrifying and moving."
Charlotte SheedyCharlotte Sheedy Literary Agency
One Sweet Night film poster with festival laurels.

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From the film

Lamplight, lace, and a street full of people.

Ossian Sweet at the card table with his guests.
Henry Sweet at the window as the crowd gathers.
Gladys Sweet mid-argument in the front room.
Hewitt Watson holding court over dinner.
Detroit police officers filling the Sweets' hallway.

Cast & crew

Who made it.

Cast

J.D. WilliamsDr. Ossian Sweet
Tanya EverettGladys Sweet
Christian GoodieHenry Sweet
Aqeel Ash-ShakoorHewitt Watson
Bart SumnerDetective Hayes
Justin VespersInspector Schuknecht
Emory LawrenceInsuranceman

Crew

Andrew R. ColomWriter · Exec. Producer
Daniel F. PfefferDirector
Tinisha BrugnoneProducer
David AladeProducer
Jeremy BrockmanDirector of Photography
Ana NovacicProduction Designer
Eli GoldArt Director
Heather Ryan ThomsonCostume Designer
Lily KleinmanEditor
Lara SfireGaffer
Ron Rose MilagroSound Designer & Mixer

Official selections

Official selectionOxford Film Festival2021
Official selectionRSF Martha's Vineyard African American Film Festival2020
Official selectionSan Antonio Black International Film Festival2021
Official selectionLas Vegas Black Film Festival2020
Official selectionSan Francisco Black Film Festival2020
Official selectionBaltimore International Black Film Festival2020
Official selectionInternational Black Film Festival2020
Official selectionUrban Mediamakers Festival2020
Official selectionDetroit FREEP Film Festival2020
Honorable mention · Most artisticTrinity Detroit International Film Festival2020

Page · Board · Frame

One moment, three times.

The rock through the bedroom window was written, drawn, and shot years apart, by different hands, all trying to land the same second.

01 · The page Andrew R. Colom

Int. Ossian Sweet bedroom, continuous

Gladys Sweet

Don't kid yourself: you bought this house to impress your NAACP friends, and to prove you were a big man, that you weren't afraid. But clearly you're terrified.

Ossian grabs Gladys and holds her wrists down at her side. She tries to jerk out of his grasp but he holds firm.

Their struggle is broken by a rock that blasts through the window across from their bed, spreading glass all over the room.

Gladys stands in shock. Ossian peers over at his wife and sees shards of glass stuck to her face.

02 · The board Ana Novacic Storyboard panel: Gladys at the shattered window as a brick comes through.
03 · The frame Jeremy Brockman Film frame: Gladys after the glass, cut above the eye.
Storyboard panel: Gladys kneeling at the bed, seen through the doorway.
Film frame: Gladys kneeling at the bed in lamplight.

Board and frame · Gladys alone in the bedroom

Storyboard panel: Ossian lying awake, hand over his face.
Film frame: Ossian lying awake beside Gladys.

Board and frame · They lay next to each other without words

From the storyboards

Ana Novacic drew the film twice over: first as boards, then as the production design the camera actually pointed at.

Storyboard panel: Ossian arguing, hand to his chest. Storyboard panel: close on Gladys, glass in her hair. Storyboard panel: the couple at the broken window, glass across the floor. Storyboard panel: Gladys standing over Ossian on the bed.

Storyboards

The film, drawn first.

Ana Novacic boarded the whole film before anyone rolled a camera. Her book runs fifty-five pages and a hundred and fifty-eight panels, start to finish. Forty-four of them are here, in the order she drew them, with her page numbers.

Storyboard, p.2: joe mack drives him home.
p.2Joe Mack drives him home
Storyboard, p.2: boys outside the barber shop.
p.2Boys outside the barber shop
Storyboard, p.2: ossian will not look out.
p.2Ossian will not look out
Storyboard, p.3: the big houses, on the way.
p.3The big houses, on the way
Storyboard, p.3: alone in the back seat.
p.3Alone in the back seat
Storyboard, p.3: 2905 garland.
p.32905 Garland
Storyboard, p.4: the front door.
p.4The front door
Panel 01 of 07
"They hate us because we let them. We never fight back, even when we can."Henry Sweet

Behind the scenes

A period house, a Model T, and a crew that gave up its summer.

Every room was dressed to 1925: wallpaper, lace, oil lamps, a police squad in wool coats in the heat of August. The film was shot in a real bungalow, in real Detroit neighborhoods.

Behind the scenes: setting the room before anyone arrives.
Behind the scenes: the model t comes down the street.
Behind the scenes: crew around the car on garland.
Behind the scenes: camera at the driver's window.
Behind the scenes: the shot on the monitor: ossian at the wheel.
Behind the scenes: watching a take in the street.
Behind the scenes: the porch, framed up.
Behind the scenes: j.d. williams between setups.
Behind the scenes: the parlor on the monitor.
Behind the scenes: gladys in the frame.
Behind the scenes: night exterior: lights on the lawn.
Behind the scenes: behind the camera in the front room.
Behind the scenes: silhouettes at the eyeline.
Behind the scenes: the hallway full of officers.
Behind the scenes: the monitor after dark.
Behind the scenes: a polaroid from the wrap.
Behind the scenes: the crew watching playback.
Behind the scenes: a hat left on a chair.
Behind the scenes: lamplight and a full room.
Behind the scenes: tanya everett at the window.
Behind the scenes: the bedroom set, lit.
Behind the scenes: makeup before a scene.
Behind the scenes: blocking the police squad.
Behind the scenes: waiting between takes.
Behind the scenes: the set as the crew left it.

The house today

It is still standing.

2905 Garland went on the National Register of Historic Places in 1985. The Dr. Ossian H. Sweet Foundation has since restored it to open to the public, and in August 2025 the city unveiled the Dr. Ossian Sweet Memorial Park beside it, a hundred years after the mob.

There is a sign in the park that asks Langston Hughes's question: what happens to a dream deferred? The marker out front gives the short answer. The film is the long one.

The restored Sweet house at 2905 Garland with its historical marker. A sign on the brick reading: What happens to a dream deferred? A mother and child at the Dr. Ossian Sweet Memorial Park sign. The memorial park's planted beds and walkways. Neighbours reading the markers at the park opening.

Ossian Sweet events · Detroit

A hundred years later, on the same street.

On September 8, 1925, the Sweets moved in. A century to the day, chairs were set out on Garland and people sat down in front of that house to mark it. The next evening the film screened as part of The Ossian Sweet Story: 100 Years of Courage.

For a screening, a class, or an event of your own, write to info@storyarc.com.

Andrew Colom and his mother outside the Sweet house on Garland.
Outside the house on Garland
The ceremony on GarlandSept 8
Speakers at the centennialSept 8
The street fills upSept 8
Chairs outside the houseSept 8
100 Years Later, on stageSept 9
The screen goes up before the filmSept 9

Filmed at the centennial by Andrew R. Colom

Where else it has played

Museums, panels, church halls, school auditoriums. The film has spent five years in rooms where people already know the street name.

Andrew Colom beside the One Sweet Night poster at a screening.
At the poster, before a screening
Programme for the Detroit Historical Museum panel, February 2020.
Detroit Historical Museum · Feb 2020
The panel after the museum screening.
The panel afterward
The One Sweet Night team at the premiere.
The team at the premiere
Programme for 100 Years Later, September 2025.
100 Years Later · Sept 2025

Twenty minutes. One night. One house.

See the night that started the fight.

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